"Writing would be very sad if one never deviated from the plan."
Giorgio Agamben

extract
— "So you're the one who sells parrots?"
Some might have found the question innocuous, but not Jack Brown. Undeterred by his caller's silence, he repeated, with the same gentle manner and a strong Asian accent, "You're the one who sells parrots, right?" He had to play along, betraying no hint of excitement, and reply with a curt "yes." The voice on the other end sounded young, perhaps in his thirties. Then came the click of a lighter lighting a cigarette, followed by a long silence during which the man must have taken a few drags.
— We need to meet today at 6pm at the Beijing crossing.
Jack was about to answer, but the man hung up before he could. He glanced anxiously at his watch as his thoughts raced wildly, contorting his face and paling his complexion as if he'd just glimpsed a ghost he thought had vanished into the recesses of his memory. Without hesitation, he headed for the front door and locked it behind him. He didn't take the bus as usual, probably to minimize the risk of being late. The packed subway left no seats available. The succession of stations certainly wasn't fast enough for Jack to be staring at his watch, his brow furrowed, his hands sweaty, looking like an automaton whose mechanism had just been wound up. The streets crisscrossed, forming a convoluted labyrinth beneath his feet where getting lost would have been child's play were it not for the buildings clipped together like Lego bricks with sharp angles, their vanishing points guiding him toward his final destination. Breathless, he leaned against a dirty wall next to a shop closed off by graffiti-covered metal shutters and observed for long minutes, like a profiler, the comings and goings of ordinary passersby.
My First Novel
CONDIMENTS
will be released soon by Maïa Publishing
Reviews and opinions
The writing is excellent. The characters are interesting, and the tone is pleasant.
Peggy's character brings a light touch and her duets with Jack and Sam work well.
"Condiments" is easy to read.
CONDIMENTS: the birth of the novel

Through a fictionalized and fast-paced story in the form of a thriller, this novel pays tribute to the thousands of students killed in Tiananmen Square in 1989 and to Operation Yellow Bird. It offers a critique of contemporary China, which, under the gaze of the entire world, continues its policy of repression with impunity. To my knowledge, this theme had never been approached from this angle or with such a conclusion. While it reads with the lightness of a popular novel, it nevertheless questions our present: what danger would an imbalance of multipolar powers pose? One day, an unusual phone call—"Are you the one who sells parrots?", spoken with a strong Asian accent—awakened a buried memory: 1989, at my grandparents' house, the television screen, and that man standing facing a column of tanks in a devastated Tiananmen Square. Resurfacing, this act, as heroic as it was desperate, drew me into a story guided by extraordinary and indomitable characters from the world of history. More than just writing it, I lived it. Intended for a wide audience, this book aims to share a piece of history so that it is not forgotten, while offering a clear and accessible reading experience for everyone.

Student protesters in Tiananmen Square, June 4, 1989

Author's Journey
Poetry has always guided my writing. I love words for what they are, for the power they carry within them, the emotion they evoke, and their precision. They have the power to change destinies, but what will become of them in the world of tomorrow?
A few years ago, I wrote a collection of poems, "The Temple of Kneeling Elephants." This collection was selected for publication by the publishing house "Caractères," represented by Nicole Gdalia. "Caractères" was founded in 1949 by her late husband, the renowned poet Bruno Durocher. Today, 25 years later, I want to thank her for this great honor, this recognition, and this opportunity she offered me at the time, but which, unfortunately, life circumstances prevented me from fully seizing. She was the first person in the publishing world to appreciate my writing, my world, and she allowed me to always listen to that inner voice, so characteristic of passionate people who never let their dreams fade away.


